读后感是我对书中故事情节和人物形象的审美体验和评价，通过写读后感，我可以将自己的思考和感悟与他人分享，美篇六六网小编今天就为您带来了镜系列读后感5篇，相信一定会对你有所帮助。
镜系列读后感篇1
最近，我看了杨红樱阿姨写得马小跳系列《贪玩老爸》。我感到十分快乐。
马小跳的爸爸——马天笑是个善良，爱玩的玩具设计师，他本事很会玩的人，可他做出的玩具却一点也不好玩，没人来买他的玩具。自从马小跳出生以后，就彻底改变了他的运气，他设计的玩具马小跳畅销全国，现在他已经当上了设计师的老板。可他仍是个贪玩的人。
上了小学以后，老师要布置作业了，可马小跳坚决不想做作业，就慢慢地，慢慢地，一拖拖到9点钟，于是马天笑就心疼了，便帮他写作业，不一会就写完了，写完后就睡着了。
更搞笑的是第二天这件事被班主任秦老师发现了，而且马天笑还写错了一个认真的真，于是秦老师很生气，把马天笑叫到办公室里，扔给他一个笔头说：抄写一百遍。于是马天笑拿起笔，认认真真的抄了一百遍，不过以后他再也不帮马小跳写作业了。
我真羡慕马小跳拥有这样一个爱他的爸爸。啊，我真希望我的爸爸能天天陪我玩，与我分享，那我该多幸福呀。
镜系列读后感篇2
我觉得有着贪玩老爸，因为我有自身的轰隆隆老师，我班也是有四个调皮蛋，与同桌冤家开展语句对决，是我自身的纯真母亲，也想有着一个酷炫的引领时尚丁克一族小舅，班里也是有上知天文，下知自然地理，博闻强识，学贯中西的丁文涛。
马晓晓系列产品有二十卷，其中我最喜欢《超级市长》。开始是和一个人做一件事，那就是，马小跳就是用一篇作文和辛苦的努力。便是一篇作文，让这次漫长而又趣味的市场竞争不经意间地开始了。
最初玩马小跳的三个铁兄弟和马小跳一起收集舆论调查，才在出场比赛前收集完毕，对三十二种幸福的生活进行了分类。结果，那一天被遗忘了，陪审团在马晓晓看了80份民意调查后不得不走了。马小跳就是演出，結果自身出了丑。历经了三天三夜的全力作战，总算马小跳用他灵活应变的能力。取得成功斩获第三名，可是，他在最终，由于用力过猛，裤带松了，牛仔裤子往下掉，随后，整场捧腹大笑。唐飞就十分指责张达没系好。最终是以马天笑与马小跳中间造成的一系列会话，告一段落漫长的小故事。
根据这册书，使我懂得了长大了的人会丧失童真，要有真情，也要有爱心，也要有胆量，也要顽强，也要忍受；有些人会憎恶，有些人会恩爱。有些人会开心，有些人会忧伤。便是这么多感情组成了全球。
镜系列读后感篇3
the essence of the path is that it is contrary to the highway and has no definite destination. but this does not mean that it does not lead to any direction. it does not mean that all walks of life will be lost in all cases. on the contrary. the stroll i mentioned earlier is an exploration, a slow discovery, the only way to really know mountains. in other words, fictions in the form of variation are not closely connected to each other and the feature of "music fragments" is the only way to stealth the various parts of the novel and to limit the true meaning of the theme, and to respect their coherent forms and rhythms. of course, at the end of all the paths or paths that make us all over the mountains - they make up a broader view, and some of the pictures are more direct and more intense.
in the immortality, the theme of the pastoral song appears once again in the work, but it is worth noting that the theme is quite different from the previous one. first, the political utopia of the positive idyllic pastoral means and the image of the utopian utopian no longer have the same complete tendencies; it continues to exist in paul's thinking, through his memory of the 1968 "may storm", but this is a dead reference, and we can even say that it is a positive idyllic. the corpse of the pastoral song. here, we are completely in the world after ideology, which transcends history.
we have been away from the desert pursued by yang wick and thomas. to "return" to self is no longer to escape to the peace and edge that can be released to self, no longer to leave the stage, away from the crowd, to avoid the harm of the crowd to us; to return to self should come to the market and display me in all eyes. because it is a world of pastoral pastoral, in the final analysis, the modern self world is still a totalitarian world - in a sense, even more harmful than the other types of pastoral songs, because there is no foundation outside the world, and no one can do it for itself. the inevitability of "transcendence". this is a totalitarian power at the end of history.
kundla's writing style and language expression are still worth learning. forget the philosopher saying that life is philosophy. there is a reasonable existence. then everyone exists, which means that its philosophy is reasonable, each person has its own way of life and way of thinking, and according to these modes of thinking to live, is the individual's own philosophy. every character in kundla's pen is a different philosophy. the name of each chapter metaphores a theme of thinking. "face" means self. "immortality" means fame and fame. "struggle" means agnes and luo, "emotional man" means perceptual, "chance" is associated with "bell", "celebration" is the most. the end of the end? i can't be sure to say it is, and it would be a different idea to read later, but the same thing is that kundla has always led the reader into thinking, no answer.
镜系列读后感篇4
文学史上《红楼梦》的成就达到了“开谈不说红楼梦，读尽诗书也枉然”的极高评价。的确，《红楼梦》被称为我国长篇小说中现实主义的最高峰，它深远的社会影响不仅在于它高度的思想性，更在于它无与伦比的艺术价值。
?红楼梦》讲述的是从小体弱多病的林黛玉孤身一人来到贾府后，渐渐与公子贾宝玉相恋，本是一段美好的姻缘，却因凤姐从中使用掉包计和封建制度的阻碍，让宝玉娶了薛宝钗，以致林黛玉吐血身亡，贾宝玉从此心灰意冷，看破红尘。一部《红楼梦》它是声声控诉，封建社会毁灭了多少人。可仔细一想，生活在那个时代的他们，结果和命运都是注定的，都是无法改变的。
林黛玉是一个多愁善感的人。她来到贾府，无依无靠，在这里唯一能够给他温暖的就是贾宝玉的温柔以待，他们彼此喜欢，却又因为世俗的眼光，封建的迷信，而无法在一起。
?红楼梦》全书中令我印象最深的地方：宝玉的新房和黛玉的病房一边喜，一边悲;一边欢笑，一边哭泣;一边热闹，一边冷清;一边管弦丝竹闹翻天，一边死气沉沉。我读到悲处悲，读到喜处更悲。我对当时黑暗的封建制度更加痛恨。我一直觉得有段文字很经典：“眼泪是什么。眼泪就是情，至情，上帝造人的时候造出了人类发达的泪腺，于是变成了晶莹的酸苦的或冷或热的泪珠。谁得到的情多，谁的情多，谁的眼泪就多，谁得到的眼泪越多，就证明谁不是枉世一生。”有情的人生，就是这么被表达得淋漓尽致……
林黛玉娴静时如娇花照水，行动时似弱柳扶风，她的性格一直都是因为身世所敏感，在我心中她一直都是纤尘不染的仙子。“花谢花飞花满天，红消香断有谁怜。”或许有人说花谢是自然规律，可谁又懂得林黛玉是把花比作自己，感叹自己会不会像花一样，等到花期一过也会孤零零地落下，没人过问。一曲红楼饱藏了多少人的悲欢情仇，让多少人留下惋惜的泪水。春风依旧，花落仍在，如果那姑娘还在，是不是也会笑着喝茶?赏花?
写到这里，我想到了自己，我生长在一个日新月异的时代，生活在美满幸福的家庭里，我要珍惜来之不易的机会，保持浓厚的学习兴趣，持之以恒地刻苦学习，放飞自己的梦想。
镜系列读后感篇5
this winter vacation,i read agreat book《bookworm》.in gread 1,i appreciate the beauty of the moon,and,i know mary,queen of soctss story……in a word,ibenefited a lot of in it.i really like this book.
among them,my favourite book is《love or money》.it tells a rich women death without.everyone is suspect,and they greeted her moneys mouth water.her little daughter threatens her,to obtain money;on the surface seems to love her big daughter to reasons but hater mother;her son to a piece of land and mother fell out……
results a murderer is her big daughter!reason have
to her the person i love !
i was very sad.a girl,actually killed her mother,is really too not filial piety.i know people for a variety of reasons will kill your most close.so,we should control oneself,avoid incentive,not reckless things……
the《book worm》 has taught me a lot.
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